How to write a spooky story: tips for English language students

Sam Colley
placeholder
Reading time: 4 minutes

How to write a spooky story: tips and tricks for English language students

Halloween is the perfect time to let your imagination run wild and create a spooky story that will send shivers down your readers' spines. If you're a student learning English, or an ESL teacher hoping to inspire and enthuse your students, writing a Halloween-themed story can be a fun way to practice your English skills. In this blog, we'll guide you through the process of writing a spooky story step by step, from brainstorming ideas to polishing your final draft. Let's get started!

Tips for writing a spooky story
Play
Privacy and cookies

By watching, you agree app can share your viewership data for marketing and analytics for one year, revocable by deleting your cookies.

Step 1: Brainstorming ideas

Before you start writing, take some time to brainstorm ideas for your story. Here are a few tips to help you get started:

  1. Think about classic Halloween themes: Ghosts, haunted houses, witches, vampires and zombies are all great starting points.
  2. Consider the setting: Where will your story take place? A dark forest, an abandoned mansion, or a creepy graveyard can all provide a spooky atmosphere.
  3. Create a protagonist: Who is your main character? Are they a brave hero, a curious child, or someone who accidentally stumbles into a terrifying situation?
  4. Develop a plot: What is the main conflict or problem in your story? How will your protagonist try to solve it? What obstacles will they face?


Step 2: Building your vocabulary

To make your story truly spooky, you'll need to use descriptive language that creates a sense of fear and suspense. Here are some useful words and phrases to include:

  • Adjectives: eerie, haunted, shadowy, sinister, chilling, ghastly, macabre, terrifying
  • Verbs: creak, howl, whisper, shiver, lurk, haunt, vanish, scream
  • Nouns: ghost, phantom, specter, darkness, fog, grave, curse, nightmare


Step 3: Structuring your story

A well-structured story will keep your readers engaged from beginning to end. Here's a simple structure to follow:

  1. Introduction: Introduce your main character and setting. Give a hint of the spooky events to come.
  2. Rising action: Build suspense by describing strange or frightening events that happen to your protagonist.
  3. Climax: The most intense and scary part of your story. This is where your protagonist faces the main conflict or danger.
  4. Falling action: Show the aftermath of the climax. How does your protagonist react? What happens next.
  5. Conclusion: Wrap up your story. Did your protagonist escape the danger? Is there a twist to the ending?

Step 4: Writing your first draft

Now that you have your ideas, vocabulary and structure, it's time to start writing. Don't worry about making it perfect on the first try. Just focus on getting your ideas down on paper. Here are a few tips to keep in mind:

  • Use descriptive language: Paint a vivid picture in your readers' minds by using sensory details –sight, sound, smell, touch, taste.
  • Show, don't tell: Instead of saying "It was scary," describe what makes it scary e.g., "The old house creaked and groaned as if it were alive and a cold breeze sent shivers down my spine".
  • Keep the suspense: Reveal information slowly to keep your readers on edge. Use cliffhangers at the end of paragraphs or chapters to maintain tension.


Step 5: Revising and editing

Once you've written your first draft, take a break and then come back to it with fresh eyes. Here are some questions to ask yourself as you revise and review:

  • Is the story clear and easy to follow?
  • Are the characters well-developed and believable?
  • Is the setting vividly described?
  • Does the plot build suspense and keep the reader engaged?
  • Are there any grammar or spelling mistakes?


Step 6: Sharing your story

After revising and editing your story, it's time to share it with others. You can read it aloud to friends or family, or even share it in your ESL class. Getting feedback from others can help you improve your writing and gain confidence.


Final thoughts

Writing a spooky story can be a thrilling and rewarding experience, especially for ESL students. By following these steps and using descriptive language, you can create a Halloween-themed story that will captivate your readers. So grab a pen, let your imagination run wild, and get ready to scare.
Happy Halloween and happy writing.

More blogs from app

  • A adult teacher stood with a adult student who is sat at a desk with a laptop

    Introducing the Adult Education Test Prep Online Practice program

    By Louise Febles
    Reading time: 2 minutes

    In the Fall of 2024, we discussed some of the changes happening in Adult Education, including the revision of the NRS level descriptors for ESOL and the new CASAS STEPS (Student Test of English Progress and Success), which replaced the CASAS® Life and Work test series.

    The test has moved from a life-skills focus to a more academically rigorous assessment. For starters, the CASAS® STEPS includesnewcontent areas for both Reading and Listening. The new content areas for Reading includemain ideas, inference, point of view, supporting evidence and thenewcontent areas for listening includemain ideas and summary. These additional content areas require students to display higher-level thinking skills, which in turn require teachers to hone those skills in the classroom daily.

    We have listened to our customers’ requests for CASAS® STEPS prep materials and created a brand-new tool to help your students succeed when taking the exam - a new program called Adult Education Test Prep Online Practice. The program is an independent test preparation hub available through app’s MyEnglishLab portal. It includes a wealth of print-on-demand teacher resources and listening audio.At under $100 per instructor code, it can be usedby any Adult Education program looking for CASAS® STEPS Prep and to complement textbooks such as Future, Side by Side, Stand Out and Ventures, among others.

    Adult Education Test Prep Online Practice includes:

    • 5 listening practice tests (Levels A, B, C, D, E)
    • Answer sheet
    • Answer Key with item analysis chart
    • Revised correlations chart
    • 17 Listening student worksheets + teacher's guide covering the five content areas: Dialogue, vocabulary, details, main idea and summary
  • A teacher holding a tablet to a young student in a classroom sat at a table

    Talking technology: Teaching 21st century communication strategies

    By
    Reading time: 4 minutes

    When my son created a web consulting business as a summer job, I offered to have business cards made for him. “Oh Dad,” he said, “Business cards are so 20th century!”

    It was an embarrassing reminder that communication norms are constantly changing, as are the technologies we use. Younger generations share contact information on their phones’ social media apps, not with business cards. A similar shift has been the move away from business cards featuring fax numbers. “What’s a fax?” my son might ask.

    Fax machines have had a surprisingly long life–the first fax machine was invented in 1843–but they have been largely retired because it’s easier to send images of documents via email attachments.

    More recent technologies, such as the 1992 invention of text messages, seem here to stay, but continue to evolve with innovations like emojis, a 1998 innovation whose name combines the Japanese words e (picture) and moji (character).

    The 55/38/7 rule and the three Cs

    Changing technologies challenge language teachers who struggle to prepare students with the formats and the strategies they need to be effective in academic, business, and social settings. These challenges start with questions about why we have particular norms around communication. These norms form a culture of communication.

    The artist/musician Brian Eno defines culture as what we Dz’t have to do. We may have to walk, but we Dz’t have to dance. Dancing, therefore, is culture. Communication is full of cultural practices that we Dz’t strictly need to do, but which make communication more successful. These include practices based on the 55/38/7 Rule and The Three Cs.

    The 55/38/7 rule is often misinterpreted as being about what someone hears when we speak. It actually refers to the insights of University of California professor, , who looked at how our attitudes, feelings, and beliefs influence our trust in what someone says.

    Mehrabian suggests words only account for seven percent of a message’s impact; tone of voice makes up 38 percent, and body language–including facial expressions–account for the other 55 percent. The consequence of this for our students is that it’s sometimes not so important what they are saying as how they are saying it.

    Another way of looking at this nonverbal communication is in terms of The Three Cs: context, clusters, and congruence.

    Context is about the environment in which communication takes place, any existing relationship between the speakers, and the roles they have. Imagine how each of these factors change if, for example, you met a surgeon at a party compared to meeting the same surgeon in an operating theater where you are about to have your head sawn open.

    Clusters are the sets of body language expressions that together make up a message; smiling while walking toward someone is far different than smiling while carefully backing away.

    Congruence refers to how body language matches–or doesn’t match–a speaker’s words. People saying, “Of course! It’s possible!” while unconsciously shaking their heads from side to side are perhaps being less than truthful.

    How does a culture of communication practices translate to new technologies? Mobile phone texts, just like 19th-century telegraph messages before them, need to be precise in conveying their meaning.

    In virtual meetings (on Teams and Google Hangouts, for example), students need to understand that tone of voice, facial expressions, and body language may be more important than the words they share.

    Politeness as one constant

    An additional key concern in virtual meetings is politeness. Once, in preparation for a new textbook, I was involved in soliciting topics of interest to university teachers. I was surprised that several teachers identified the need to teach politeness. The teachers pointed out that the brevity of social media meant that students were often unwittingly rude in their requests (typical email: “Where’s my grade!”). Moreover, such abruptness was crossing over to their in-person interactions.

    Politeness includes civility, getting along with others, as well as deference, showing respect to those who may have earned it through age, education, and achievement. But politeness is also related to strategies around persuasion and how to listen actively, engage with other speakers by clarifying and elaborating points and ask a range of question types. Online or in person, if students cannot interrupt politely or know when it is better to listen, whatever they have to say will be lost in the court of bad opinion.

    This is particularly important in preparation for academic and business contexts where students need to interact in groups, such as seminar settings and business meetings. Within these, it’s necessary for students to be able to take on a variety of roles, including leadership, taking notes, and playing devil’s advocate to challenge what a group thinks.

    Engaging students with project work

    Role-play can help raise awareness of these strategies among students, but it’s not enough to just take on a variety of roles found in common academic and business exchanges; students need to be able to reflect after each role-play session and infer what strategies are successful.

    Technology-based projects can also help students engage in a range of communication strategies. For example, a app series, StartUp, embraces technology in each unit by sprinkling various text messages and web-based research tasks. There are also multimedia projects where students use their phones to collect images or video and share the results in presentations that develop their critical thinking.

    For example:

    Make your own video

    Step 1 Choose a favorite restaurant or meal.

    Step 2 Make a 30-second video. Talk about the meal. Describe what you eat and drink. Explain why you like it.

    Step 3 Share your video. Answer questions and get feedback.

    This simple project subconsciously reinforces the unit’s vocabulary and grammar. It also allows students to personalize the project based on things that they need to talk about in daily life–their local foods in this case. This means that each student’s presentation is unique. Unlike with essay assignments, students tend to work hard to craft several versions until they are satisfied because they know their work will be seen by other students and that they will be asked questions that only they can answer.

    All this forces students to consider speaking strategies, as well as strategies for appropriate facial expressions and body language. Similarly, they have to use active listening strategies when listening to others’ presentations while asking questions. As technology continues to evolve, teachers need to integrate new applications into their teaching so students learn how to communicate with the tools they have at their disposal.

  • A man sat in a living room with books and plants in the background, he is reading a book

    Words that can't be translated into English

    By
    Reading time: 4 minutes

    While English is a rich language, there are some words from other languages that Dz’t have a direct translation. These words often describe special feelings, situations, or ideas that are deeply connected to their cultures. For example, just as some languages have specific words for different types of weather, other languages have unique words for particular moments or emotions that are hard to explain in English. Here are some interesting examples of untranslatable words that show us the different ways people see the world.