10 creepy cryptids you should know about

Children walking in a neighbourhood wearing costumes

Cryptids are creatures that are often unseen and mysterious. They are shrouded in legends and stories that have been passed down for generations, making them a fascination for humans for centuries. If you're looking to add a little more creativity to your story writing, learning about these elusive beings can be a great way to do so. In today's post, we'll take a closer look at some examples of cryptids, to get your imagination racing.

What are cryptids?

Cryptids are mythical creatures or beings whose existence cannot be proven by science. Some may claim to have seen them but there's usually no solid proof of the encounter. They exist in folklore, mythology and urban legends. Cryptids can be found in cultures all around the world, from the Loch Ness Monster in Scotland to the in Latin America.

Here are ten cryptids you'll want to learn about this Halloween:

Barghest

The Barghest is a ghostly black dog cryptid that appears in the folklore of Yorkshire and Lancashire. It is often associated with misfortune, and sightings of this ominous creature continue to be reported.

Owlman

The Owlman is a humanoid creature with owl-like features such as red eyes, wings and feathers. Sightings of this mysterious creature have been reported around the village of Mawnan Smith in Cornwall, adding an eerie twist to local legend.

The Kraken

The Kraken is a legendary sea monster of gigantic size and octopus-like appearance, said to dwell in the deep sea and feasting on ships that are unfortunate enough to come across it.

Water Leaper (Llamhigyn Y Dwr)

The Water Leaper, also known as the Linton Worm or Lindworm, is a Welsh cryptid believed to inhabit bodies of water such as ponds and rivers. Descriptions vary, but it is often depicted as a fearsome water-dwelling creature.

Shug Monkey

The Shug Monkey, also known as the Shug Monkey Beast, is a cryptid that is said to be part dog and part monkey. It has a grotesque appearance with shaggy fur, fangs, and the ability to emit a blood-curdling scream.

Bigfoot (also known as a Sasquatch)

Probably one of the most well-known examples of a cryptid, Bigfoot is described as a large, ape-like creature, often reported in remote forested areas.

The Lambton Worm

The Lambton Worm is a creature of myth from. According to the story, John encountered a monstrous, serpentine creature in the River Wear in County Durham. This cryptid, depicted as either a giant worm or dragon, terrorized the local area.

Wendigo

Wendigos are believed to inhabit remote forests and desolate areas, particularly during winter. They are considered malevolent and bring death and misery to those who encounter them.

Beast of Bodmin Moor

The Beast of Bodmin Moor, also referred to as the Bodmin Beast, is a legendary feline or a large, black, panther-like animal that is believed to wander around the wilderness of Bodmin Moor in Cornwall. The sightings of this mysterious creature have puzzled the inhabitants and tourists for many years.

Bownessie

Bownessie is a serpent-like creature with a long neck that reportedly inhabits Lake Windermere in England's Lake District. The creature has been compared to the legendary.

The existence of these mysterious creatures remains a riddle, yet the tales and stories that surround them add an aura of mystique and wonder. Cryptids can be found in almost every culture, and you may start noticing patterns among them. Additionally, you may observe the use of these legends in media, particularly in the fantasy genre. They may not have the same names, but they are undoubtedly an obvious source of inspiration.

Cryptids are not only subjects of curiosity, they are also valuable tools for crafting engaging narratives that resonate with readers and viewers alike. So whether you are an enthusiast of the unknown or simply enjoy a good supernatural tale, use these examples to ignite your creative storytelling and English writing skills. Try writing your very own story and see where your imagination takes you.

Interested in storytelling, Sci-fi fantasy? Make sure to check out our blog postBooks to improve your English: Sci-fi and fantasy edition.

More blogs from app

  • A young child sat at a desk in a classroom writing

    Grammar: how to tame the unruly beast

    By Simon Buckland

    “Grammar, which knows how to control even kings”- ѴDZè

    When you think of grammar, “rule” is probably the first word that pops into your mind. Certainly the traditional view of grammar is that it’s about the “rules of language”. Indeed, not so long ago, teaching a language meant just teaching grammatical rules, plus perhaps a few vocabulary lists. However, I’m going to suggest that there’s actually no such thing as a grammatical rule.

    To show you what I mean, let’s take the comparative of adjectives: “bigger”, “smaller”, “more useful”, “more interesting”, etc. We might start with a simple rule: for adjectives with one syllable, add -er, and for adjectives with two or more syllables, use more + adjective.

    But this doesn’t quite work: yes, we say “more useful”, but we also say “cleverer”, and “prettier”. OK then, suppose we modify the rule. Let’s also say that for two-syllable adjectives ending in -y or -er you add -er.

    Unfortunately, this doesn’t quite work either: we do say “cleverer”, but we also say “more sober” and “more proper”. And there are problems with some of the one-syllable adjectives too: we say “more real” and “more whole” rather than “realer” or “wholer”. If we modify the rule to fit these exceptions, it will be half a page long, and anyway, if we keep looking we’ll find yet more exceptions. This happens repeatedly in English grammar. Very often, rules seem so full of exceptions that they’re just not all that helpful.

    And there’s another big problem with the “rule approach”: it doesn’t tell you what the structure is actually used for, even with something as obvious as the comparative of adjectives. You might assume that it’s used for comparing things: “My house is smaller than Mary’s”; “John is more attractive than Stephen”. But look at this: “The harder you work, the more money you make.” Or this: “London is getting more and more crowded.” Both sentences use comparative adjectives, but they’re not directly comparing two things.

    What we’re actually looking at here is not a rule but several overlapping patterns, or paradigms to use the correct technical term:

    1. adjective + -er + than
    2. more + adjective + than
    3. parallel comparative adjectives: the + comparative adjective 1 … the + comparative adjective 2
    4. repeated comparative adjective: adjective + -er + and + adjective + -er/more and more + adjective

    This picture is more accurate, but it looks abstract and technical. It’s a long way from what we actually teach these days and the way we teach it, which tends to be organized around learning objectives and measurable outcomes, such as: “By the end of this lesson (or module) my students should be able to compare their own possessions with someone else’s possessions”. So we’re not teaching our students to memorize a rule or even to manipulate a pattern; we’re teaching them to actually do something in the real world. And, of course, we’re teaching it at a level appropriate for the student’s level.

    So, to come back to grammar, once we’ve established our overall lesson or module objective, here are some of the things we’re going to need to know.

    • What grammatical forms (patterns) can be used to express this objective?
    • Which ones are appropriate for the level of my students? Are there some that they should already know, or should I teach them in this lesson?
    • What do the forms look like in practice? What would be some good examples?

    Existing grammar textbooks generally don’t provide all this information; in particular, they’re very vague about level. Often they don’t even put grammar structures into specific CEFR levels but into a range, e.g. A1/A2 or A2/B1, and none fully integrates grammar with overall learning objectives.

    At app, we’ve set ourselves the goal of addressing these issues by developing a new type of grammar resource for English teachers and learners that:

    • Is based on the Global Scale of English with its precise gradation of developing learner proficiency
    • Is built on the Council of Europe language syllabuses, linking grammar to CEFR level and to language functions
    • Uses international teams of language experts to review the structures and assess their levels

    We include grammar in the GSE Teacher Toolkit, and you can use it to:

    • Search for grammar structures either by GSE or CEFR level
    • Search for grammar structures by keyword or grammatical category/part of speech
    • Find out at which level a given grammar structure should be taught
    • Find out which grammar structures support a given learning objective
    • Find out which learning objectives are related to a given grammar structure
    • Get examples for any given grammar structure
    • Get free teaching materials for many of the grammar structures

    Think of it as an open-access resource for anyone teaching English and designing a curriculum.