Fantasy, the English language and Tolkien

A woman holding a book to her face, reading in a bookstore with shelves of books behind her
Reading time: 6 minutes

A large number of well-known writers have often created or coined words that are used in everyday English. When you think of authors, prominent figures like Shakespeare may come to mind. He enriched the English language with words like "amazement," "bedazzled," and "fashionable." Charles Dickens introduced "boredom," showcasing his talent for capturing profound human emotions and societal issues in a single word. Lewis Carroll added whimsical words to our lexicon, including "chortle," a delightful mix of 'chuckle' and 'snort.'

But Tolkien is another one of those authors who has added to the English language's colorful dictionary. Tolkien did not just create worlds; he also enriched our language, adding a lexicon that elicits the smell of mead in crowded halls and the sight of smoky mountains veiled in mystery. Language enthusiasts and fantasy fans alike join us on this philological adventure as we uncover the words that J.R.R. Tolkien, the mastermind behind Middle-earth, either coined or brought into the limelight.

Words Tolkien invented or popularized
Play
Privacy and cookies

By watching, you agree app can share your viewership data for marketing and analytics for one year, revocable by deleting your cookies.

So what English words did he invent/popularize?

Hobbit - A humble beginning

The word 'Hobbit' has become so synonymous with Tolkien's loveable, halfling creatures that it's easy to forget that prior to the publication of his book '' in 1937, this word was non-existent. While there has been some discussion over whether Tolkien may have unconsciously borrowed from other sources, he is widely credited with coining the term. These small, unassuming beings have secured their place in our world, much like they have in their home of the Shire.

Orc - An ancient word revived

Orcs, the vile creatures that often symbolize the corrupt and evil forces in Tolkien's works, have become a staple word in the lexicon of fantasy literature.

Although the term 'Orc' existed in English before, Tolkien's use and interpretation popularized it to signify a brutish monster. Its actual origin can be traced back to Old English and Latin, where it had a variety of meanings, including 'demon' and 'hell'.

Ent - Guardians of the forest

The term 'Ent,' used to describe the ancient tree-herders in 'The Lord of the Rings', is another linguistic gift from Tolkien. Drawing inspiration from the Old English wordeoten, meaning 'giant', Tolkien reimagined these beings as the sentient guardians of the forest, embodying the spirit and wisdom of trees. With their slow, deliberate manner and deep connection to the natural, Ents have come to represent environmental stewardship and the age-old battle against deforestation and environmental damage in popular culture.

Mithril - A precious creation

The fabled metal 'mithril', said to be stronger than steel yet lighter than a feather, is a testament to Tolkien's attention to detail in his world-building.

He could have easily opted for a metal that actually exists, but instead, he manufactured an entirely new material, replete with its unique properties and lore. Mithril has since transcended the borders of Middle-earth, being adopted by various fantasy franchises as a precious and magical metal.

Eucatastrophe - A linguistic turn

Those unexpected turns toward a positive resolution of stories in literature have a name thanks to Tolkien, the term 'eucatastrophe'. In his essay '', Tolkien discusses eucatastrophe as the sudden joyous turn in a story that pierces you with a joy that brings tears. This concept has been embraced by literary critics and readers alike to describe that moment of salvation when all hope seems lost.

Palantír - Far-seeing stones

The 'palantír' (pronounced pæˈlænˌtɪər) or the seeing stones in Tolkien's novels allowed characters to communicate across vast distances, a fantastical predecessor to the technologies of today.

This invented term comes from an adapted form of Elvish, a language Tolkien crafted with its own set of linguistic rules. The concept of a 'palantír' has often been metaphorically used to describe any medium that allows one to perceive events at a distance.

Dwarves – Storied origins

Tolkien was also responsible for the pluralization of the existing word "dwarf" into "dwarves.". Prior to Tolkien's influence," dwarf" was the standard plural form used in English. With his groundbreaking work in 'The Hobbit'and 'The Lord of the Rings', Tolkien opted for "dwarves" to better fit the old English and mythological aesthetic he was aiming for. Tolkien's deliberate deviation from the norm has since been widely adopted, influencing not only subsequent fantasy literature but also the way we engage with these mythical beings in popular culture.

His invented languages and inspiration

In his quest to build a comprehensive mythology, J.R.R. Tolkien invented, coined, or revived many English words specifically for his Middle-earth saga. His skill as a philologist not only allowed him to create new words but also to revive old ones that had fallen out of use, blending them seamlessly into the narratives of his epic tales.

Tolkien extended beyond merely coining new words; he ventured into the realm of constructing entire languages, an effort that set Middle-earth apart as an exemplar of literary and linguistic depth. Among the most notable of these languages are Quenya and Sindarin, both of which are elvish tongues, each with its own detailed grammar, syntax, and rich vocabulary.

Quenya, inspired by Finnish and Latin, is often considered the high-elven language, used in lore and formal occasions, whereas Sindarin, influenced by Welsh, serves as the common language among the elves of Middle-earth.

Additionally, Tolkien developed other languages, including the guttural Black Speech of Mordor, the dwarvish Khuzdul, and the various Mannish tongues, thereby enriching the authenticity and immersive experience of his fantasy universe. Tolkien'sinspiration for writing his unique lexicon was as vast and varied as the universes he created. A linguist at heart and by profession, he drew heavily from ancient and medieval sources, including Old English, Old Norse, and other Germanic languages, as well as from Latin, Greek, and Welsh.

A lasting linguistic legacy

Tolkien's impact reminds us that language is a living, breathing entity. It is shaped by the realms we construct in our thoughts and shared tales. In this light, Tolkien's inventiveness with language inspires us to look at words as not just mere tools for communication but as magic incantations capable of transforming the mundane into the extraordinary.

Whether you're a lifelong fan of Middle-earth or a language enthusiast intrigued by the origins of words, his contributions remain legendary; some even now sit in the English dictionary. He shows us that with a bit of creativity and a love for language, we too can leave our mark on the lexicon for generations to come. Now, in the spirit of Tolkien, may your words always be as rich as a dragon's hoard and as heartfelt as a hobbit's supper.

If you're feeling inspired to read, make sure to check out our readers; we have a wide range of English readers to suit everyone. Or if you're looking for some novel inspiration, make sure to check out our blog post: Novels to help improve your English.

Or, if you want to expand your English vocabulary even more to match that of even the greatest writers, make sure to download the language learning app .

More blogs from app

  • A young child sat at a desk in a classroom writing

    Grammar: how to tame the unruly beast

    By Simon Buckland

    “Grammar, which knows how to control even kings”- ѴDZè

    When you think of grammar, “rule” is probably the first word that pops into your mind. Certainly the traditional view of grammar is that it’s about the “rules of language”. Indeed, not so long ago, teaching a language meant just teaching grammatical rules, plus perhaps a few vocabulary lists. However, I’m going to suggest that there’s actually no such thing as a grammatical rule.

    To show you what I mean, let’s take the comparative of adjectives: “bigger”, “smaller”, “more useful”, “more interesting”, etc. We might start with a simple rule: for adjectives with one syllable, add -er, and for adjectives with two or more syllables, use more + adjective.

    But this doesn’t quite work: yes, we say “more useful”, but we also say “cleverer”, and “prettier”. OK then, suppose we modify the rule. Let’s also say that for two-syllable adjectives ending in -y or -er you add -er.

    Unfortunately, this doesn’t quite work either: we do say “cleverer”, but we also say “more sober” and “more proper”. And there are problems with some of the one-syllable adjectives too: we say “more real” and “more whole” rather than “realer” or “wholer”. If we modify the rule to fit these exceptions, it will be half a page long, and anyway, if we keep looking we’ll find yet more exceptions. This happens repeatedly in English grammar. Very often, rules seem so full of exceptions that they’re just not all that helpful.

    And there’s another big problem with the “rule approach”: it doesn’t tell you what the structure is actually used for, even with something as obvious as the comparative of adjectives. You might assume that it’s used for comparing things: “My house is smaller than Mary’s”; “John is more attractive than Stephen”. But look at this: “The harder you work, the more money you make.” Or this: “London is getting more and more crowded.” Both sentences use comparative adjectives, but they’re not directly comparing two things.

    What we’re actually looking at here is not a rule but several overlapping patterns, or paradigms to use the correct technical term:

    1. adjective + -er + than
    2. more + adjective + than
    3. parallel comparative adjectives: the + comparative adjective 1 … the + comparative adjective 2
    4. repeated comparative adjective: adjective + -er + and + adjective + -er/more and more + adjective

    This picture is more accurate, but it looks abstract and technical. It’s a long way from what we actually teach these days and the way we teach it, which tends to be organized around learning objectives and measurable outcomes, such as: “By the end of this lesson (or module) my students should be able to compare their own possessions with someone else’s possessions”. So we’re not teaching our students to memorize a rule or even to manipulate a pattern; we’re teaching them to actually do something in the real world. And, of course, we’re teaching it at a level appropriate for the student’s level.

    So, to come back to grammar, once we’ve established our overall lesson or module objective, here are some of the things we’re going to need to know.

    • What grammatical forms (patterns) can be used to express this objective?
    • Which ones are appropriate for the level of my students? Are there some that they should already know, or should I teach them in this lesson?
    • What do the forms look like in practice? What would be some good examples?

    Existing grammar textbooks generally don’t provide all this information; in particular, they’re very vague about level. Often they don’t even put grammar structures into specific CEFR levels but into a range, e.g. A1/A2 or A2/B1, and none fully integrates grammar with overall learning objectives.

    At app, we’ve set ourselves the goal of addressing these issues by developing a new type of grammar resource for English teachers and learners that:

    • Is based on the Global Scale of English with its precise gradation of developing learner proficiency
    • Is built on the Council of Europe language syllabuses, linking grammar to CEFR level and to language functions
    • Uses international teams of language experts to review the structures and assess their levels

    We include grammar in the GSE Teacher Toolkit, and you can use it to:

    • Search for grammar structures either by GSE or CEFR level
    • Search for grammar structures by keyword or grammatical category/part of speech
    • Find out at which level a given grammar structure should be taught
    • Find out which grammar structures support a given learning objective
    • Find out which learning objectives are related to a given grammar structure
    • Get examples for any given grammar structure
    • Get free teaching materials for many of the grammar structures

    Think of it as an open-access resource for anyone teaching English and designing a curriculum.